Is there an accurate classic biopic? Bueller?

Lets recap right quick. 1980's made for tv (i think, i hope so, was it a theatrical release? oh, the horror) Bogie. 1965's Harlow - snooze fest. 57's Buster Keaton Story - don't get me wrong, I absolutely love Donald O'Connor. but if you're going to recap a legend, maybe make it, oh, I don't know, true. That goes for 82's Francis (Jessica Lange was amazing), 81's Mommy Dearest (Dunaway also was awesome), 92's Chaplin, 46's Jolson Story - all mostly complete BS ... the list goes on and on.

And not to say that list isn't full of decent movies and decent actors. it just seems if you're going to put the time and effort into what boils down to paying homage to a legend, you would think facts would be a little more important. How much do you really need to fabricate in a story about Hollywood in its prime to make it dramatic and interesting? The fact that "biopic" is just biography and picture squished together isn't lost on me, but it seems they always like to throw phrases like "true", "actual events" and "real life" into titles and descriptions, which annoy me when the credits roll and i rush online to fact check and find 85% of what ever I just watched was fabricated crap.

Keaton and O'Connor

I am a little disappointed that no one has really tackled a Peter Lorre bio. Drug addiction, illness, fame, defiance, affairs, the red scare, poverty, and one of the most waster talents Hollywood's ever seen? Really?  No love? I have no idea who could even play Lorre. Maybe Pete Doherty if he could act - he's got the look, accent and addiction part down. After seeing Hopkins dressed up as Hitchcock he might make a good Sidney Greenstreet,  Clooney or.. oh man this hurts to say... Ben Affleck (based on looks alone) as Bogie, and maybe Ewen Bremner from Trainspotting as Bertolt Brecht (seriously, look those two up. Dead ringer)... but I digress.

                         Lorre

       
  Doherty                                                                                                        

Back to movies that do exist - I was trying to think of a Hollywood biopic to write about that meets my very elitist standards of honest portrayal and entertaining to watch. In true Hollywood fashion, the truth is not out there. So then I started thinking if there was one that stood out as such a great film that maybe the truth didn't matter so much, and there are quite a few that I like, but my number one with a bullet would have to be James Cagney's portrayal of George M. Cohan in Yankee Doodle Dandy.

Cohan and Cagney

This was the first time I saw Cagney as a song and dance man. No guns?  No grapefruits? Who is this man? And as anyone does when they see their favorite tough guy in a family movie, and *gasp* a musical, I thought it was going to be a flaming pile.

First of all, they nailed it with casting. Cagney and Cohan are about the same build, similar features, almost identical delivery, and they came from similar backgrounds, both being Irish-Americans originally from New England. You would also need someone with decent acting chops to portray a personality like Cohan, and Cagney had it in spades. In every scene he looks so thrilled just to be there you can't help but be drawn in.

A clip of Cohan dancing in 1932 

Second, yes they took some liberties with the story line. But a few name changes, a little chronological editing, and some inaccuracies (Roosevelt's wheelchair, some political glossing-over, Cohan's divorce and second wife, etc) are, to me, pretty minor in comparison. A lot of folks like to point out that Cohan was born on the 3rd of July, not the 4th, but he and his family told everyone he was born on the 4th to appear "all-American". That doesn't seem like a stretch to me in this movie. Cohan was an advisor on the film and one of his original producers, Jack Boyle, helped director Michael Curtiz to make the choreography, sets, and costumes as accurate as possible. Hey, at least they were trying. More than I can say for some of the others. It was no DeMille type effort for accuracy, but what they lacked in truth they made up for in entertainment quality, in my opinion.

And lastly, history aside, it's just a damn good movie. From Cohan's Vaudeville days to the peak of his career as "the man who owns Broadway" to the loss of his family and his spotlight, the production as a whole is just stellar. Every time I watch the scene with his father (played by Walter Huston) on his death bed, my heart just hurts.Watching Cagney go from optimistic when he arrives home, to sad when he sees his father, to the hope draining from his face as it sinks in... ugh it's no wonder he got the Oscar for that one. I am usually not a fan of  war era forced (and often faked) nationalism, but with Cohan's real life war efforts and the kind of songs he wrote you can't help but get an urge to wave a flag. The supporting cast is also amazing- Eddie Foy Jr plays his father, a 17 year old Joan Leslie plays Cohan's wife, everyone did wonderful jobs. You laugh, you cry, you sing along, it's a well rounded experience. After Cohan screened the film he said "my God, what an act to follow". Well said, sir. I couldn't imagine a better portrayal by anyone else.

For tons more reviews, opinions and ideas on biographical films, check out the Shoes They Wear blogathon going on at the Cinematic Katzenjammer. !

Class Warfare?

We hear that phrase a lot lately, and from the strangest places, the government.

The GLOBAL problem - 10% of the Earths population holds over 90% of the wealth. The economy is collapsing because we don't have money to buy things because the morons running the companies and governments are sitting on it all, and when sales and stocks fall from the lack of revenue instead of taking a small but survivable hit to their own income, they lay off hundreds of thousands of people to compensate. Im not anti-capitalism, but there's a fine line that's been crossed between healthy revenue and obscene profit. In the 50's, Lots of people had decent salaries. The wealth was spread over a larger percentage of the population. There were more CEOs, managers, owners. Today, where there was once 50 parent companies there are now 5 and only a handful are making billions.

                                        

It reminds me of that Cagney movie, Mayor of Hell, where a crooked man runs a boys home and works them like slaves, feeds them food not fit for animals, lets them freeze in solitary, because he's too cheap to do things correctly. Cagney steps in, instates democracy, but then has to go on the lamb for a while leaving the tyrrant in charge again, and as we all know once a group of people have a taste of how good it could be, they will fight to the death to maintain it. The boys riot, and in Hollywood fashion Cagney shows up in the nick of time to keep the boys from doing something disastorous.

Who's going to intervene now, in real life?

This is the beginning—from "I" to "we". If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know that Paine, Marx, Jefferson, Lenin were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I", and cuts you off forever from the "we". - Grapes of Wrath

James Cagney's Birthday Today - July 17, 1899

Whaddya say?  Whaddya know? James Cagney, marginalized by Hollywood as a gangster and tough guy, was actually a triple threat that got his start in Vaudville in the early 1920's and was part of the first generation of talking films and mega-stars. 

When I was a little kid I was absolutely terrified of Cagney.  I'd only seen roles like White Heat, Smart Money, and The Public Enemy, where he played the tough, womanizing, terrifying gangster so well I thought he really was in the mob until I was a teenager. I didn't see the Seven Little Foys until after high school but that's the movie that I fell head over heels for the man.

 From his first role in drag in 1919 :

to his final role in Ragtime in 1981, Cagney never failed to deliver. Nominated 3 times for the Academy Award for Best Actor in a musical, mob movie, and light comedy,  Cagney truly was one of the greats.